Weekend Beats: Brown Sugar

Snowed in with grading here, even though it’s 70 degrees. Wacka wacka! More posts about books and school later this week, we promise.

In case you need cheering up as the days shorten and the cooler dark comes on, enjoy this pristine classic that you’ve sung and danced along to alone before (admit it), and also probably lied about having sex to (if you are over 25). As a fellow Virginian I can’t help but catch some residual pride off D’Angelo, and I wish the man well with his career’s evolution.

Summer gets sticky in the VA, especially in eastern cities like Richmond, D’Angelo’s hometown. Lucky for us that riparian mosquito-molasses vibe sweetens the song just right.

1.8 million “likes”? Should be more like 1.8 billion.

Sunday Links

If you’d like to increase your own brain power while you watch grown men drastically reduce theirs, may we suggest the following exercises:

Happy Sunday, folks!

Weekend Beats: No Static

Given both TGR editors’ love of Steely Dan, it’s surprising that it has taken so long for this to happen: “F.M. (No Static at All)” (1978), an exemplary blurp of suede decadence. Man. The Carter era! Quaaludes and sideburns.

Named after a gigantic dildo in a William Burroughs novel, Steely Dan made sure to never be as entirely repulsive and boring as an “experimental” text like a Burroughs novel. They understood that pleasure is an art, and this oleaginous cut exemplifies how SD made some of the world’s best driving music.

Old Ghosts in the Grand (cough) Old Party

As an aesthetic object, the Confederate battle flag is kind of cool, what with that vivid blue field and the concise yet assertive “X” of stars. Its worth to civilization ends there, however, because it was flown by traitors and villains who sought to destroy the American republic so that some rich people could keep making money from an abomination. Even as a Southern boy, raised along the Virginia-West Virginia border, I have to say, Robert E. Lee and Stonewall Jackson and their men betrayed the country. Yet you still get dongs like this guy, people who don’t seem to grasp that flying that flag means you don’t like America.

But as a Southern boy raised inside that ridge-and-valley moonshine truckstop range of the east Appalachians, dongs like that guy don’t surprise me. At least twenty cars in my high school’s parking lot (school pop. 950) had the Stars and Bars somewhere: on a bumper sticker or a rear window, tied around an antenna, on a trucker hat jammed on the dash, or translated via a custom horn blast. One could arrange for “Dixie” to sound whenever you leaned on your used F-150’s wheel: DOH I WISH I was in the land of DERP DERP.

Yeah, I know. Real catchy. I’m sure the ninety or so black students at my school liked it even more than I did, given that the near-universal understanding of Confederate paraphernalia is something along the lines of “I’m a country person who doesn’t much like nonwhites who aren’t from the country.”

While most Tea Party . . . uh, people . . . won’t do anything so crass, the Republican Party’s reactionary mood that they’ve stoked and embodied has roots in some gross racialized politics, as Jelani Cobb points out over at the New Yorker: “The Tea Party–inspired eruptions that have recurred throughout Obama’s Presidency represent something more complicated than a reactionary backlash to the sight of a black President; they are a product of the way he so tidily represents the disparate strands of social history that brought us to this impasse. The problem isn’t that there’s a black President; it’s that the country has changed in ways that made Obama’s election possible.” She’s one of their best new writers. Go read now, you.

Nativist racial angles aside, the Tea Party–deeply white, very rural–is appalling in another way, one that is ultimately more dangerous than simple wailing about the Kenyan guy and his coastal pals. Radicals like Ted Cruz and the Bachmann ghoul might call themselves conservatives, but traditionally, conservatives don’t try to tear down constitutionally functional governments in order to destroy the world’s economy. Ta-Nehisi Coates gets at this:

But the Confederate flag does not merely carry the stain of slavery, of “useful killing,” but the stain of attempting to end the Union itself. You cannot possibly wave that flag and honestly claim any sincere understanding of your country. It is not possible.

If politics comes up in whatever situation, I tell most people that I’m a conservative just like Barack Obama. If I need to bob and weave with a subsequent justification, it goes like so: “[Person], the Conservative/conservative party in every other industrialized democracy on the planet is OK with socialized health care, gay humans, solid public education, and organized, rational approaches to climate change.” I tell them that I fear any faction whose spinal impulse is to malign modern science, disdain art and literature and other pillars of civilization, and sabotage the global economy.  Then I start talking about Andrew Sullivan and try to explain that Burkean conservatism as a philosophical orientation toward historical change is compatible with beliefs that are typed as progressive in the contemporary USA. Then I try to chill out and talk about sports, like, for example, the wonderful 2013 Boston Red Sox.

Weekend Beats: Numbers on the Boards

I try not to carry too much water for Slate by continually linking to stuff they publish, because they are a behemoth and do not need my slavish attention, but this is tough because they’re a great magazine (or website, or what have you), even if a neoliberal demigod owns them now. With that in mind . . . Over at Slate, Jack Hamilton has two fine pieces about Pusha T’s new album My Name Is My Name, in the latter of which Hamilton deftly annotates Pusha’s/Clipse’s “strange anti-charisma,” that Virginia blend of “brute creativity and dizzying swagger.” On the working top-ten list Hamilton assembles, one finds this new blood diamond, “Numbers on the Boards” (prod. at least in part by Kanye West):

The production showcases Kanye’s ability to chisel out beats that are simultaneously appealing and unnerving: it’s poltergeist pop. Good luck getting it out of your head. Buy King Push’s album, too. He has been one of the best MCs around for over a decade without ever making the Scrooge McDuck money he deserves.

Aaaaand because My Name is My Name is so good, here is another track, “Suicide,” a chilling diss of Drake, et al. Assuming you aren’t the kind of person who clutches their pearls (Ohmygod he’s cussing and just talking about money and drugs stuff and objectifying women) when confronting anything that isn’t piously middle-class—in which case you should not be reading this blog—you will enjoy it.

As one of the Web’s best vernacular hip-hop critics, Big Ghost (who has a new website and is not, despite some early rumors, actually Ghostface), puts it with his usual demotic verve (WARNING: salty urban language ahead):

Niggas at Def Jam musta lost they damn minds yo… This shit is reckless b. This is REALLY like some Hell Hath No Fury shit all over again. I aint eem playin when I say this shit make me wanna cop a kilo on consignment n snort the whole brick right muthafuckin now. Im liable to do some irresponsible shit while listenin to this muthafucka b. Ya boy liable to make some bad decisions n act out in a very irresponsible way right now yo. The sound of that money countin machine dont help matters none my nigga. I cant be held accountable for my actions right now…not if niggas is gon make songs like this n release em to the public. Yall reckless for that… Ionno how Pharrell can go from makin electro french disco n happy ass Captain & Tennille type shit to joints this filthy son. This shit jus dirty bruh. Im disgusted. Im makin faces like I jus walked into a room witta dead raccoon hangin off the ceiling fan right now. I might gon order a pizza jus so I can punch somebody in the face right now dawg. Word is bond I might gon bicycle kick the pizza man thru the skylight if this shit is playin again when he get here. The boy Push takin aim at certain inviduals in these bars too. [. . .] Ab Liva did his Ab Liva thing on this shit too. He might actually be the last rapper on earth still doin the Young Chris whisper flow that Hov made famous. Bars was on point as usual tho. Not like it really need to be said  it but I all the way fucks wit this shit right here.

Me too, Ghost. Happy weekends everywhere, everyone.

Saturday Links

The college football schedule is finally starting to get interesting, so I understand if you ignore my advice and just post up on your couch eating Funyuns. If you are looking for a slightly more refined weekend experience though, may I suggest the following:

  • Check out these amazing illustrations Salvador Dali drew for Don Quixote. The man’s work was so much more than melting clocks. [h/t to the Prufrock Newsletter]
  • Over at Slate, read Joseph Thomas’ account of trying to get the estate of Shel Silverstein to allow him to quote from the author’s works. This is something Ryan and I both know a bit about, as I published a piece on the lengths J.D. Salinger went to guard his personal letters from Ian Hamilton, and Ryan had the misfortune of trying to convince Sylvia Plath’s gatekeepers that a dissertation did not represent a market threat. Godspeed, Prof. Thomas.
  • Jordan Conn wrote a great piece at Grantland about how Oakland looks poised to lose all of its professional sports teams within the next decade. The article ends up being a profile of one of the more unique (for better and for worse) American cities in a time of simultaneous crisis and rebirth.
  • The always insightful Alan Jacobs has a great (and longish) review essay up at Books & Culture about Thomas Pynchon’s new novel, Bleeding Edge. Jacobs is a serious and generous critic, and while I don’t share his religious beliefs or politics, I appreciate that he spends so much of his time writing for non-academic audiences. More professors need to look outside the tower every now and then.
  • This is (another) shameless plug, but you should check out the Book Review section over at The Los Angeles Review, where I serve as Assistant Book Reviews Editor.
  • And, this [h/t Adam Ted Jacobson, via Gawker]:

Go See Cal

Before he died, quite suddenly, a few years back, my uncle and I had a Cal Worthington moment. If you were lucky enough to see one of Cal’s commercials, you know what I’m talking about. If not, here:

We were rapping about something, I don’t remember what, but somehow we got on to TV, which led to commercials, which led to Cal. My uncle swore Cal had been run out of Bakersfield on a rail, which is how he ended up in Long Beach. Near as I can tell from reading Sam Sweet’s great little Paris Review blast, that probably didn’t happen. But it also totally could have! Mid-century papertrails were made of actual paper, so tracing Cal’s movements up and down the spine of California would require work most of us just don’t want to put in anymore. But it’s almost better not knowing. Cal’s commercials were charming in their complete lack of cultural content. Compare Cal’s wingwalking and ape talking with this creepy garbage:

This paean to middle-American, conservative, rural, masculinity is the kind of fantasy Klaus Theweleit would tell us is an indication that we’re about two clicks away from fascism. It imagines a world where working class men are driving around in $40K trucks smiling about the prospect of going home and holding hands with high school sweethearts. In reality, the men who can afford to drive these trucks and the men who “get to work on time” aren’t the same dudes. In fact, there probably aren’t even jobs for the working class guys to go to anymore. And if this fantasy man ever did marry his best girl from high school, they probably got divorced a few years back when money got real tight. But Chevy thinks it’s best to lie to people about the country they live in. And they’re probably right.

Cal wasn’t interested in selling us an ideal. He just wanted to sell us cars. There’s a level of honesty in his ads that we’ll probably never see again. We’re so desperate to be cool, authentic, and, above all, validated by ads that we can only appreciate Cal’s spots ironically. “They’re so bad, they’re good!” To hell with that. They’re good because they’re memorable without being emotionally manipulative. Unlike Apple, or American Apparel, or Chevy, Cal Worthington respected us enough to make himself the fool in our place. That’s something worth buying.

Full Disclosure About Our “About” Page

Since a footnote doesn’t look sexy on the actual “About The General Reader” page, here is a footnote on where the phrase “self-facilitating media node” comes from: the promising, bleak, unfortunately short-lived BBC show Nathan Barley (February 2005-March 2005), which was created by Charlie Brooker and Chris Morris, whose pedigrees as satirists will be evident if you do some Googling. I should have explicitly posted on this sooner, because it is dumb and lazy to assume that just because nobody reads your blog, and just because the allusion is meant as a homage, you needn’t cite your sources. Consider this my apology, framed as a plug.

Nathan Barley is well worth a test-view on your part, and you can watch some of it on YouTube. “Self-facilitating media node” is how the astonishingly, (sort of) endearingly fuck-witted main character describes his website, trashbat.co.ck, which is, yes, registered in the Cook Islands. Cock Islands. No, no, Cook. At times the episodes falter, which is understandable given that the show only had six episodes to work things out, but the comic high points remain vicious. Nathan’s invented slang is especially good, or, as he’d say, “well weapon.” (Hoot your trap off, mate.) When you watch, keep in mind that this was made in 2004-2005, and be suitably unnerved by its anticipation of Vine, “selfies,” the Vice empire, web shows, iPhone commercials, Reddit, and a wealth of other slick brain damage.

2014 UPDATE: Our “About” page doesn’t use this language anymore. Go watch Black Mirror.