Weekend Beats: Down on the Norfside

Several times I’ve written here about A$AP Rocky’s 2011 mixtape Live. Love. A$AP, a late-capitalist gem. The entire text is eminently bumpable, but my favorite tracks remain those produced by Clams Casino, who recently did work on my favorite album of 2015, Vince Staples’s double-disc Summertime ’06.

cover of Vince Staples - Summertime 06

Double EPs are risky. There are vast masterpieces like Exile on Main St., but often such albums are at least a little bloated and could be slimmed (e.g., Wilco’s Being There). Staples pulls it off, though. Summertime ’06 doesn’t have any obvious radio-ready singles–no bangers, no anthems, no easy hooks. This isn’t Drake. A fundamentally grimmer album than what usually runs up the Billboard charts, it’s more like Enter the Wu-Tang or Hell Hath No Fury.

That does not mean the songs won’t snag in your cortex. Staples’s writing is a memorably lyrical blend of braggadocio and fear; meditation and narrative; pride in Long Beach, California, and the urge toward other worlds. One of the tracks Clams Casino produced is “Norf Norf,” which sounds like Aphex Twin spliced with the mid-2000s Neptunes aesthetic (and Bjork and Viktor Vaughn), then drenched in THC and cough syrup.

The track is not traditionally catchy. It makes the listener do some work first. Staples’s tense bluster is gorgeous but taxing, because his subject matter is so grim, while the production is groggy and nightmarish. And yet there is, I bet, a decent chance you will keep thinking about “Norf Norf” after you hear it once. Sit alone with it for a few minutes.

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