Oh man

Men’s studies or masculinity studies or whatever is heating up.  It has been for awhile, but now some of the best of it is trickling down into middle-class highbrow magazines.  The Chronicle of Higher Education, for instance, has just published “The Puzzle of Boys,” a compact survey of recent books  (most of them academic, but aimed at general smart readers), arguments, and controversies in the field.   In other words, it is a good way to brush up on this stuff–which is absolutely fascinating viz-a-viz American culture.  Thomas Bartlett underscores that while malehood is just as complicated as any other segment of the gender spectrum, few people have thought seriously about it.  And that’s a major lacuna, given that men still dominate most of the nation’s institutions.  The end of the essay describes what happens to boys when they get to high school; it is particularly sad.

Closely connected to boyhood is, of course, manhood.  Michael Kimmel, a sociologist who teaches at SUNY-Stony Brook, has written two cool books about American masculinity.  Manhood in America: A Cultural History (Oxford UP, 1996, 2005), now in its second edition, is the gold standard.  Or at least one of them, as TGR understands things.  Kimmel is, essentially, a pro-feminist man who hasn’t given up on the importance of distinctly male identities.  Guyland is more contemporary and will appeal to you if you are depressed by things like Judd Apatow and Maxim.  It’s kinda dark out there, lads.

Happy Thanksgiving!

-TGR

your pre-Thanksgiving buffet

Don’t fill up too quickly, mes amis.

Salon.com’s Laura Miller reviews Tinsel, a new Christmas-culture book which focuses on how Americans in the suburbs and exurbs celebrate the holiday.

Theodore Dalrymple (great name) examines the baleful influence of Le Corbusier for City Journal.  If you’ve ever been discombobulated by the preponderance of huge, bare, concrete-intensive spaces in American and European cities or have wondered why post-WWII U.S. planners decided it would be awesome to carve up cities with new freeways and other roads where nobody can, well, walk like humans should, read this.

From Seattle’s alt paper The Stranger, a depressing report on the status of marriage equality and LGBT rights in my home state, Virginia, which has just elected a closet psychopath as governor.  His kids also look like blonde larvae.

A.J. Jacobs explores the alternately discomfiting and liberating possibilities of Radical Honesty.  This also entails a trip down to VA.  The RH movement–if you can call it that–is probably more interesting as a thought-experiment than an actual program for living one’s life, but it and its main guru, Brad Blanton, are fascinating.

Blast from the past: poet J.D. McClatchy reviews One Art, the large and wonderful collection of Elizabeth Bishop’s letters.  As with many poets, the organizing theme of the writing and the life is loneliness.  Then again, aren’t we all familiar with that?

-TGR

 

Jonathan Safron Foer is a prig

Let me make a distinction, a personal one that nevertheless applies to and frames the experience of anybody who reads seriously.  It has to do with why one dislikes what one dislikes–negative responses are as complicated as adulatory ones.  On one side of dislike, there are writers whom I personally find distasteful or don’t consider entertaining or elevating, but whom I nonetheless respect as writers.  In other words, although their work isn’t to my taste, I acknowledge that they are doing something worthwhile with language.  I place, for instance, Ezra Pound, Gertrude Stein, and Toni Morrison in this category; other readers will certainly disagree and identify their own outliers according to their standards of taste.

Then there are the hucksters, the charlatans, the low-talent frauds, and the bad thinkers.  Here we are dealing not with matters of taste, but with the question of basic talent.  Jonathan Safron Foer, Brooklynite, hipster storyteller, media darling, and, now, ersatz moralist, has little to none, and so he falls into this category.  Falls hard.  Although he does pick nice fonts for his books.

In this essay, Jennifer Reese reviews–and largely eviscerates–his new, fatuous, astonishingly arrogant manifesto Eating Animals.  As she points out so elegantly, JSF, reputedly a strong thinker, somehow manages to conflate a perfectly sane argument (industrial farming is ecologically ruinous and morally almost indefensible) and a crude, pompous, whiny jeremiad against people who aren’t vegetarians (actually, aren’t vegans, as Reese shrewdly notes).  Eating Animals is a piece of agitprop disguised as journalism, and its “priggish, condescending, naive” tone, notwithstanding JSF’s claims that the book is objective and open-minded, does nothing so effectively as spur reactionary anti-intellectualism:

The populist conservative case against coastal liberals is that they are smug elites who think they know everything because they went to fancy colleges, eat arugula, and name-check Derrida. As a coastal liberal, I think the rap is often cynical and unfair. But Foer’s account of his field trip to the abattoir suggests how a folksy moose butcher like Sarah Palin gets on a presidential ticket.

His is the worst kind of specious argument, one whose high moral seriousness blinds him to counter-arguments that might contest and complicate his own: e.g. primates have always been omnivores (as Michael Pollan reminds us), and almost every aspect of modern life, our clothing, our cell phones, the fruits and vegetables we eat, buses we ride, are part of a manifestly unsustainable economy (see Elizabeth Kolbert on this).  Eating Animals evinces a troubling tendency of many of my fellow lefties:  a willingness to critique only certain limited, authorized facets of the world we all live within.  If Las Vegas is Official Fun, meat-eating is, for some people, ground for Official Opprobrium.  Apple makes products that are poisonous out of poisons, but one doesn’t expect JSF to mount an attack on iPods.

Instead, a myopic self-satisfaction stands in for real ethical debate.  Did you buy that organic salad pre-packed from the grocery store?  Then kudos to you, smiles Foer.  Are you a hunter who killed, dressed, and cooked the venison on your table?  Do you raise chickens in your backyard?  Do you fish?  Eat fish?  Buy organic half-and-half?  Ever step on a bug?  Then, he grumbles, you are morally despicable, that is to say not in line with Mr. Foer, whose career thus far provides an excellent example of how readily most critics and readers mistake sputtering emotion for genuine moral passion.   Fuck you, you sanctimonious dweeb.

Then again, we should be nicer.  After all, in fifty years nobody will remember the poor guy.

-TGR

PS: Reese’s essay will be one of the last publications of Double X, the online women’s magazine that spun off earlier this year from a Slate.com blog.  The editors announced today that they’re shutting down.  For the usual current reasons.  Double X was never much good–although it was far less inane than glossier, celeb-obsessed Jezebel–but they did publish interesting pieces like this one from time to time.  Hard times, folks, hard times, especially if you work in the word business.

The Martin Amis Web

May I also point you toward The Martin Amis Web? It is a stylish compendium of stuff (interviews, photos, reviews, original writing, etc.) relating to the brilliant son of the twentieth century’s best comic novelist. TGR has been getting into Amis over the past several months, by way of his kaleido-psychotic novel Money (1984) and his touching memoir Experience (2000).  London Fields (1989), reputedly his masterpiece, is on the docket for this winter.

All you hip kids will like the man: he’s cool in that educated British way, but he is rarely smug, and his writing is smart, hilarious, and eminently sane. Here he is on Charlie Rose. Dig in.

INSTA-RECOS

I’m working on a longer post, an appreciation of the poet Adam Zagajewski, which should be up sometime during the next couple weeks.  For now, for the other general readers out there, may I suggest two writers?

If you want novels, get yourself some Denis Johnson.  Tree of Smoke, a book about Vietnam and its aftermath(s) which won the National Book Award in 2007, is very long but a surprisingly quick read.  However, if all those pages make you uneasy, check out Already Dead: A California Gothic, which is about weed growers and occultists in Northern California, among other things.  Even shorter are The Name of the World, a novella which reminds me strongly of Nabokov and Coetzee (particularly in terms of how he writes the male narrator’s voice), and his incredible short-story collection Jesus’ Son, narrated by a sort-of-ex-junkie.  Here are all the Cliffs Notes you need on DJ: he is the drugged-out offshoot of the opulent realism of Saul Bellow, Their Eyes Were Watching God, and F. Scott Fitzgerald, on the one hand, and the weirder perambulations of Melville, Garcia Marquez, Thomas Pynchon, and David Foster Wallace, on the other.  With the possible exception of Pynchon, there is no living American writer whose sentences are as gorgeous and psychologically precise as Johnson’s.

Prefer poetry?  Really? Then buy the Australian Les Murray’s Learning Human, a career-spanning selection of his work.  As a lyric poet with a delicate eye for nature and violence, he is a lot like Seamus Heaney.  But Murray also warps and reconstructs language on the fly, the way John Berryman does in The Dream Songs, mixing together working-class Australian slang, polished international English, and his own bizarre style of dreamy half-babble.  Like Johnson, he writes how the mind moves, without turning his poems into a hash.  He does not show off his experimentation.  Here is “On Removing Spiderweb”:

Like summer silk its denier
but stickily, oh, ickilier,
miffed bunny-blinder, silver tar,
gesticuli-gesticular,
crepe when cobbed, crap when rubbed,
stretchily adhere-and-there
and everyway, nap-snarled or sleek,
glibly hubbed with grots to tweak:
ehh weakly bobbined tae yer neb,
spit it Phuoc Tuy! filthy web!

At first it might seem like gobbledy-gook, but if you read it a couple times, you’ll see that the linguistic twisting and reweaving is just a way to evoke how it feels to walk through a big, nasty, sticky nest.

Enjoy fully not safely,

-TGR

global English and language extinction

In addition to being an astute political commentator–one who has, ironically, often been caricatured by liberals as a crypto-reactionary, even though his ideas and temperament are quite similar to President Obama’s–John McWhorter is also a heavyweight linguist who used to teach at Berkeley and is now a lit professor at Columbia.*   This fascinating, typically stylish essay questions the notion that the globalization of English is necessarily a cause for worry about “cultural imperialism.”  Along the way McWhorter makes some shrewd observations about how languages change over time and space, why they die out, and the relations (and non-relations) between language and culture in general.  Good read.

-TGR

*True, he accepts the label “social conservative,” but he’s one in the same way Andrew Sullivan is, i.e. more of a British-style righty, with no time for the crudity that passes for conservatism in the contemporary U.S.  Pro-LGBT rights, an environmentalist fellow-traveler, open to gradual rather than radical social change (like Edmund Burke and, as Sullivan has pointed out, like the President himself).

“starring in her own propaganda film”

Start with a cup of half-understood Nietzsche, add a slavering devotion to wealth and a refusal to acknowledge history, finish with a dash of sexual bitterness, and you’ve got yourself some Ayn Rand.  Like a lot of nerds, I was deep into The Fountainhead during high school.  Then I went to college and started an education; ten years later, I’m–like a lot of nerds–embarrassed by my youthful affection for this crank.

There’s a new biography out, reviewed here by Sam Anderson of New York Magazine.  If I didn’t think Halloween is  silly child’s holiday, I might dress up as  Howard Roark–you know, be an asshole toward everyone who doesn’t think like I do, and maybe end up with a babe in the end.  Ladies, according to Ayn Rand, you all worship imperious men.  Didn’t work out so well for her, though.

If you want to cleanse your palate, the magazine is also running an interview with one of my favorite sports writers, Bill Simmons, a.k.a. The Sports Guy.

-TGR